Meet the Writers: Eseohe Igbinowanhia Ronald & Kendra Ruoff

Deep Down in the Classroom warmly welcomes writers Eseohe Igbinowanhia Ronald and Kendra Ruoff, whose essays were named Honorable Mentions for the 2019 Exemplary Essay Awards hosted by the Writing Studies Department at Montclair State University. Read on for samples of their distinguished work and to learn a bit about the writers themselves.

Eseohe “E” Igbinowanhia Ronald’s Is This America?” was written for College Composition 1 with Prof. Emily Axelrod. Here’s a brief excerpt:

“The music video for Donald Glover’s song “This Is America,” ….resonates most significantly among victims of racially-motivated hate crimes, police brutality, and those on the short end of the stick in a divided society. [The director Hiro Murai] argues that the general American public is deaf to the outcries of minorities. His approach is effective, because it not only brings social injustice to light for an audience of the ignorant and uninformed, but it also serves as a point of familiarity for an audience who experience these same injustices on a daily basis.”

Hometown: Irvington, NJ 

My major: Nursing 

Class I’m loving: College Writing 2

What inspired the focus of your essay “Is This America?”

When the “This is America” music video was premiered, I fell in love with it at once. The director, Hiro Murai, and musical artist Donald Glover (Childish Gambino) harnessed historical allusions and subliminal messages that accurately reflected the present day fight against police brutality and racial prejudice. It was the music video that I had yearned for. Despite all the news reports and articles, I felt like this music video finally captured the real struggle. 

What other types of writing do you do? 

Ever since my third grade English teacher got me hooked on reading and introduced us to literary devices like personification, onomatopoeia, and hyperbole, narrative writing became my absolute favorite. It’s like painting a picture with words. 

What writing advice would you give to a future 105 or 106 student?

Stick to your heart. Don’t choose one topic over another because it’s ‘easier’ to write about. When you’re passionate about your topic, you automatically personalize it and can better weave your thoughts together. If it means something to you, it will mean something to your audience. 

***

Kendra Ruoff’s “How Humanity and Nature Contribute to Our Health” was written for College Composition 2 with Dr. Denell Downum. Here’s a brief excerpt:

“Your health has everything to do with both humanity and nature. My body is attacking itself, it has a mind of its own, just like nature does; deciding when it wants to hurt or help. I need both humanity and nature in order to maintain a healthy lifestyle, although both can hurt me as well.”

Hometown: Audubon, NJ

My major: Nursing 

Class I’m loving: Microbiology

I’m not just a writer, I also: love to travel and see new places. 

Looking forward to… becoming a nurse and helping people every day. 

Shout-out to: Denell Downum, my writing 106 professor. 

What inspired the focus of your essay “How Humanity and Nature Contribute to Our Health”?

I was diagnosed with Crohn’s Disease around the age of 16. Ever since it has had a big impact on my life and continues to do so. I thought what better thing to write about than something I am familiar with, involving both nature and humanity? 

What do you admire about your essay? 

I admire that I can write about something that is so familiar to me, my illness, that I was once afraid to tell people about. 

How did 105/106 influence your writing? What lessons, revision strategies and/ or guidance was useful in composing your essay?

Our main focus in writing 106 was nature. This obviously helped me to form my own opinions, perspectives, and knowledge on nature, how it works, and how it impacts humanity. I then incorporated the majority of what I learned into my essay. I also incorporated some of the articles we read throughout the class. 

What writing advice would you give to a future 105 or 106 student?

Don’t immediately tune yourself out. I wasn’t a big writer when starting college, but once you find something you’re interested in or passionate about, it makes it that much easier to write about it. There are so many ideas you can get just from one little topic, explore your options and push your mind to new ideas. 

Congratulations to you both!

I Gave My Students the Benefit of the Doubt This Semester, and it Changed My Life

By Sarah Ghoshal

“If you want others to be happy, practice compassion. If you want to be happy, practice compassion.” – The Dalai Lama

I think that, in the past, I have prided myself on being a difficult professor. I don’t know why. In the beginning, I looked young. I was right out of graduate school, was mistaken for a student much of the time, needed to garner respect, to differentiate myself from them. In the first few years, I caught a number of students in their lies – conflicting accounts, even a forged doctor’s note, lots of plagiarism. So, somewhere along the way, I decided that they must all be lying, they must all be trying to get one over on me, I must be the idiot.

Every semester, I was stressed out. I spent so much time worrying about saying no. “No, you can’t have an extension.” “No, you can’t make up that missed work.” “No, I can’t excuse that absence.” And then I dealt with the fallout from saying no. Kids were getting terrible grades, not because they couldn’t write well, but because I always said no to the extension, to the make up work, to the overlooked absence.

Then, two things happened that changed my life – and changed the way I see my students – forever.

First, in May of 2019, I had my third child. It was a difficult pregnancy. In my student evaluations at the end of the semester, one student even noted that I “sat down too much.” Then,I went in to Fall ‘19 with a tiny baby, a toddler, and a new kindergartner. There were germs. There were ear infections. (Have you ever seen a three year old “cover his mouth?” Trust me. Lysol is useless.) Second, in December of 2019, my mother-in-law passed away after a month in the hospital – a month during which my partner, who was the primary caregiver to our children on the days that I was teaching – was practically living at the hospital.

All of a sudden, “sh*t happens” was super real. All of the “excuses” my students offered for missing class and assignments seemed plausible, credible. After all, I had to leave early one day, hold class online one day, bring the six-month old baby with me another day. I had “excuses” too. And so, I gave them ALL of the extensions. I offered an ear to listen, office hours for explanation, time to catch up, even an incomplete for a student with medical issues. I paid attention to their plights, their lives, the little things that come up every day and threaten to derail our carefully planned semesters.

And do you know what happened? They were grateful. They had less stress. I had less stress. They still learned how to write; and I would argue that most of them learned how to write well. They thanked me. My end-of-semester student surveys were stellar. Their grades were better. And it wasn’t because I “let them get away with” anything, but rather because I taught them how to write in spite of life. Don’t get me wrong – a couple of students failed. But these students didn’t work, didn’t show up, and didn’t learn how to write. Those who did show up, work, write, even if they did it with a couple of extensions or a few missed classes, passed the class. They didn’t all get A’s. They didn’t even all get B’s. But they learned, they moved on, and honestly, I learned the most important lesson of my teaching career: Sh*t happens to everyone. Compassion is the key.

Meet the Writer: Nathaniel Williams

Last week we featured the Writing 105 winning Exemplary Essay Prison Profiteers: The Exploitation of the 13th Amendment and Race to Construct an Empire and now we are pleased to meet the writer behind that essay, Nathaniel Williams.


Hometown: Hackensack, NJ

Major: Communication and Media Arts

Class I’m loving: Contemporary Math

I’m not just a writer… I also host a radio show, DJ, & perform music.

Nathaniel, what do you admire about your essay Prison Profiteers: The Exploitation of the 13th Amendment and Race to Construct an Empire?

This was my first college essay, and to me that spoke volumes. Every time I look back on my experience with writing my essay, I remember that that was the turning point in my academic career. I had been a good student throughout all of high school, but I had trouble when it came to English essays. Whatever I wrote, no matter how detailed or meaningful it was, it never seemed to be enough. It went like that for two whole school years.

I lost confidence in my writing for a while, and it got to the point where I stopped my hobby of writing stories altogether. Once I got to college, I had two words in my mind: “no more.”I admire the growth that I see in this essay. It marked a new beginning, and I haven’t strayed from my new path since.

What type of writing do you imagine doing in the future, either professionally or personally?


I want to get myself immersed in creative writing again for the future. I’m looking to be a game developer after I graduate, but I want to be the one to create its story. I’d like to immerse myself in narrative writing to make different types of media like films, video games, TV shows, and music. I’ve always liked telling stories, but I’ve liked spreading messages even more.

What else are you looking forward to?

The rest of college (no joke)! Montclair State has given me so many new opportunities to choose from, and I’ve only been a student for one year. I feel like I’ve learned more about myself in my freshman year than in the last 5 years of my life, and that’s invigorating to me.

Congratulations Nathaniel!

Prison Profiteers: The Exploitation of the 13th Amendment and Race to Construct an Empire

by Nathaniel Williams, winner of the Exemplary Essay Awards 2019, College Writing I with Prof. Jennifer Johnson

          The prison industrial complex (PIC) is the most profitable business you’ve never heard of. Since its establishment, America has had a monumental problem when it comes to power and control. Many of the laws set in place benefitted a specific group of people: white, Christian men. People of color were brought into America to be kept down, enslaved, and treated as less than humans. We have made strides since then, but the law still purposely disadvantages those who are not white men, and it affects the definition of justice in our country. Worse still, the slow progress towards equality under the law for marginalized groups has given rise to a business model that thrives and makes money from racism and skewed justice, the prison industrial complex, and it is completely legal.

          The PIC is what’s known as one of the fastest-growing industries in the United States, using incarceration rates and the toughness of the modern justice system to make money. America’s government and its citizens have, since the end of the US Civil War, used the Constitution as a tool to shape the justice system as they see fit, with little to no regard for ethics or societal consequences. The constant misuse of America’s laws has continued to be a disadvantage for mental health, our economy, the actual balance of power on Capitol Hill, and people of color, and it is directly responsible for the prison industry we know today. While minorities are not the only people in prisons, they make up a large majority of the overall prison population and have wildly increased its numbers. As of 2014, the prison population was a staggering 2.3 million, starting at 357,292 in 1970, and seeing increases by the hundred-thousand every decade (13TH). This outrageous increase in the number of inmates allows industries nationwide to make money off of racism, cheap labor, and general greed. Using tactics that have been in play since the ratification of the 13th Amendment, the prison industrial complex has used the disenfranchisement of people of color and laws posed on the Senate floor by lobbyists to create a source of income that is legally indomitable. Race relations have had a direct effect on the regulations and societal norms that gave birth to the prison industrial complex.

        To begin analyzing how the Prison Industrial Complex became so powerful and profitable, one must first understand the ideals that allowed it to form and continue to be accepted by the law. Section 1 of the 13th Amendment to the Constitution is as follows, “Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States, or any place subject to their jurisdiction” (Constitute Project Amendment XIII). The Amendment outlaws slavery in America on the surface, but there is a much darker side to the revolutionary law. Ava DuVernay, critically acclaimed director of 2014’s movie Selma, inspired by the true events of Rev. Dr. Martin Luther King Jr.’s fight for civil rights, explores the dangerous loophole in the amendment that outlawed slavery in her Netflix documentary, 13TH. The documentary states that the 13th Amendment to the U.S. Constitution prohibits any American from being enslaved, but only outside of prisons, as it was still allowed as punishment for a crime. As a result, when slaves gained freedom on December 6th, 1865, the day the 13th amendment was ratified, black people were arrested in large quantities and thrown in jail in the nation’s first prison boom (13TH, 1:53-2:30; 3:32-3:41). This began the theme of mass incarceration of people of color in the U.S. by white people, to deliberately keep them at a lower social standing.

          Another reason white people saw a necessity in keeping black people controlled by them was the film Birth of a Nation (1915)’s depictions of the entire race as animalistic beings that targeted white values, sparking the creation of the mythology of black criminology and re-birthing the Ku Klux Klan. The image of the so-called “negro menace” had been presented, and it created a very real sentiment of fear in white people. Jaron Browne, the National Organizer for Global Well-Being Programs in Oakland, CA, in his article titled “Rooted in Slavery: Prison Labor Exploitation,” states, “While the model prison in the United States was built in Auburn, New York in 1817, it wasn’t until the end of the Civil War, with the official abolition of slavery, that the prison system took hold” (Browne par. 5). Browne is telling readers that America’s prison system was only established to keep freedmen and women disenfranchised. Given that America’s prisons are mostly a response to the freeing of southern slaves, it is not acceptable that facets of slavery are still present in today, especially the use of inmates as cheap labor. Through the exploitation of the loophole, the inmates, and the general complacency with the racism of those who controlled the justice system, the private prison network, now deemed the “prison industrial complex,” was born. The most notable private prison company is the Corrections Corporation of America, or the CCA, now known as CoreCivic, and their staff of more than 16,000 (CCA Social Responsibility) is responsible for overseeing the logistics of what can be called modern slavery.

          Not only were the intentions of the CCA legal, state governments allowed them to make more money through business deals. The CCA was presented with quotas; if they could keep their prisons at or above 90% filled capacity at all times in a given state, they would continue to make money off of the prisoners they kept (13TH, 57:50-58:12). A tall order such as this one would be harder to fulfill if not for the prejudice against people of color. These people inflated the prison population and were subjected to a life that would now be spent living with the disadvantages associated with being convicted of a crime regardless of innocence, and the prison industrial complex was only made more successful for it. Unfortunately, the prison industrial complex and its backers have more societal power than what has already been mentioned thanks to the American Legislative Executive Council, or ALEC. ALEC is a political lobbying group that can vote on the same level as regular politicians, which is dangerous considering the people that they represent. The organization was actually backed by quite a few big name companies, including Wal-Mart, known for being one of the biggest retailers of firearms and ammunition (13TH, 56:13-56:32). Businesses associated themselves with ALEC so they could get laws passed that would lessen regulations or lower taxes against them. To add to the despicable nature of this business tactic, companies could also benefit from whatever consequences came from ALEC-presented laws.

          Like the prison industrial complex, ALEC didn’t just appear in recent years. They have been growing and gaining more influence for over 40 years. They even remade their image in 2007 in an attempt to rid themselves of ill opinion from the public. However, ALEC has still been very controversial even after this change, influencing some of the biggest changes to the nation’s laws and regulations that have endangered society the most. One of these laws is the “Stand Your Ground” in Florida, allowing the killing of another person if the killer felt threatened. Stand Your Ground is responsible for the acquittal of George Zimmerman in the case concerning the shooting death of Trayvon Martin. Zimmerman, a member of the neighborhood watch was suspicious of Martin, an unarmed black teenager, and took it upon himself to end the young man’s life on mere speculation. It was ruled that he acted in self-defense and was set free. DuVernay’s documentary highlights the big name business that benefitted from Stand Your Ground and the Trayvon Martin case: Wal-Mart. Following this, Wal-Mart and many other companies, but not all of them, pulled out of ALEC, but the Wal-Mart family still funds them (13TH, 51:20-57:22). Stand Your Ground and other ALEC laws are examples of their wide-reaching influence in Washington and usefulness to businesses, but it does not stop there.

          ALEC’s laws also help the plight of the CCA and the prison industrial complex since they help put more defendants in jail at a quicker rate for a longer amount of time. The Federal Crime Bill, presented by Former President Bill Clinton, was, in reality, a bill presented by ALEC, beneficial for the CCA and detrimental to America’s due process of law. As with other “tough on crime” presidents, Bill Clinton used far too much force in trying to crack down on crime, creating lasting, dangerous consequences.

          To provide some background on what these presidents did that turned the justice system into a weapon for the CCA to conquer the market, this “tough on crime” mindset began with President Richard Nixon in the 1970s. He proposed a “War on Drugs” to combat the rising number of drug-related incidents in America, but this war was of a metaphorical nature, intending to vilify black people and recreational drug users. It took the words and actions of President Ronald Reagan to turn Nixon’s metaphorical war into a literal one, even though the problem of drugs wasn’t as big of a problem as Reagan made it look like it was. With the emergence of crack cocaine, a form of cocaine that could be smoked and sold in very small doses inexpensively, Congress quickly passed mandatory sentencing laws for offenses related to the new drug. Because this drug affected inner cities the most, these mandatory sentencing laws were disproportionate to others. White people were associated with cocaine, the more sophisticated narcotic, and black people were associated with crack, the less refined narcotic. The prison sentence for someone found with an ounce of crack was equal to the sentence someone would get if they were found with 100 ounces of cocaine, meaning black people would face more punishment for their crimes and they would be kept in prison longer (13TH, 22:05-23:03). Reagan’s initiative spawned another wave of mass incarceration, increasing funding for jails and focusing the police on economically challenged communities of color.

          When it came time for President Bill Clinton to adopt the “tough on crime” mindset, he put forth the notorious Federal Crime Bill of 1994 (13TH, 36:28-39:39), a list of new rules for the criminal justice system that even Clinton himself regrets signing. In the $30 billion bill, there was a plan for Mandatory Minimum sentences (13TH, 37:18-38:00). This policy voided judges and courtrooms as they could no longer decide a sentence based on the circumstances presented. Whatever your crime, there was now a specific amount of time American judges were forced to make defendants serve. The bill also contained the Truth in Sentencing policy, making it so that convicts would have to serve at least 85% of their sentences no matter how good their behavior (13TH, 38:00-38:49). Finally, there was the 3 Strikes law, doling out automatic life sentences to felons if they committed 3 violent crimes. This led to the Los Angeles Sherriff’s office being forced to release 4,200 misdemeanor inmates every month when the law was initially passed. This was necessary to avoid overpopulation due to a massive influx of third-strike prisoners (13TH, 36:32-37:18). The new rules did solve some problems, but Bill Clinton already knew his bill had major consequences, expressing regret in a speech to the National Association for the Advancement of Colored People in 2015 shown in DuVernay’s documentary.  He states, “But I want to say a few words about it. Because I signed a bill that made the problem worse. And I want to admit it” (13TH, 40:50-41:02). Clinton is saying that he wants to take responsibility for enacting change that he knew was dangerous. The war on drugs was going to disproportionately affect people of color, and he knew this, but at the same time, he just wanted to get the bill passed.

          President Clinton actually apologized for the bill many times before that speech, but originally didn’t understand at its core why it was so harmful. The Hill, an American political newspaper and website, noted when Clinton stated, “We have too many people in prison. And we wound up spending — putting so many people in prison that there wasn’t enough money left to educate them, train them for new jobs and increase the chances when they came out that they could live productive lives” (McCabe par. 4). President Clinton is saying that he blamed the money that wasn’t being allocated to training for schools and the workforce so inmates could go back into society fully prepared. However, while this is definitely one of the problems associated with the bill, this was not the biggest one. Dara Lind, a journalist for Vox, stated, “The 1994 crime bill Clinton signed was a big reason for the second trend: longer prison terms. The law used funding for new prisons as a way to pressure states to get rid of parole and adopt “truth-in-sentencing” laws that required prisoners to serve out their sentences” (Lind par. 8). The quote is saying that the keywords here are “longer prison sentences”. As stated before, this meant more prisoners would be sent to jail quicker, turning into the prison industrial complex’s bread and butter, and that they would stay that way for longer periods of time. Their lives would be forever changed for the worse because of the ideals of greed and racism, mirroring what the Federal Crime Bill did to America’s criminal justice system.

          As it stands, the 13th Amendment is a blessing and a curse for America, especially for its economy. It freed America’s slaves, but it also sparked the first coming of mass incarcerations that legally re-enslaved black people through an immediately exploited loophole. When the 13th Amendment was ratified, the economy was devastated, as the producers of many marketed items no longer had cheap labor. However, during Civil War-era slavery and during modern slavery, the economy has been better off because of cheap labor, as companies don’t have to spend as much money on workers and there are more of them that will work for longer hours. In fact, modern slavery is even encouraged in some places, even in the form of chain gangs.

          As recently as the 1990s, some Americans were fine with the idea of modern chain gangs. Journalist Rick Bragg of The New York Times, in a 1995 article on the resurgence of chain gangs in Alabama, briefly interviews a former prison warden, 53-year old Ron Jones. In the article, the warden states, “‘People say it’s not humane,’…‘But I don’t get much flak in Alabama’” (Bragg par. 5). Bragg argues that “the chain gangs are part of a new kind of prison reform, one that frightens some human-rights advocates” (par. 6). Jones explains the advantages of Alabama’s legal complacency when it comes to outdated, blatantly racist and demeaning practices.Bragg’s article highlights the kind of attitude that allows slavery and mistreatment of inmates to continue in America’s prisons. Chain gangs were used during the nation’s first prison boom following the end of the Civil War, increasing the speed of progress with back-breaking tasks while keeping inmates cognizant of the fact that they were trapped. The complacency expressed by Mr. Jones is one of the reasons why the prison industrial complex is still a legal business model. However, it proves that the economy is nothing without some form of slavery or disenfranchisement to the point where it is required.

          It was through interpretations of the Constitution that America’s justice system was made only to serve those in power. These interpretations negatively affected the poor and people of color while positively affecting the rich and white. There are examples throughout history and today that show constitutional rights being violated just to put black people in jail, like when the right to citizens that protects them from being forced to admit guilt or even answer an on-the-street interrogation is cast aside because the person “could” be guilty since they don’t want to answer a question. For American immigrants, the violation of constitutional rights is actually legal, under the law SB1070. This law allowed the stopping of anyone who looked like an immigrant, and it benefitted the CCA. (13TH, 1:00:31-1:01:18) A law that took away constitutional rights made them over $11 million and gave them another source of profit. The detention facilities that were filled up as a result of SB1070 were now another source of income for the prison company. John W. Whitehead, a contributor to the Huffington Post and a constitutional attorney, in his article, “Jailing Americans for Profit: The Rise of the Prison Industrial Complex,” states that “part of the investment pitch for CCA…include the profits to be made in building ‘kinder, gentler’ minimum-security facilities designed for detaining illegal immigrants, especially low-risk detainees like women and children” (Whitehead par. 8). Whitehead is saying that the CCA now had a stake in the private detaining of illegal immigrants and that they were trying to change their image to appear more accommodating to the needs of everyone in society, similar to ALEC’s rebranding. The CCA wants to be felt everywhere, and they will not stop advancing on the prison system until they control every corner of it. The organization is given free reign of American justice, only checked by themselves.

          Continuously, the Constitution is used as a weapon to advance the hidden agendas of racist and greedy Americans, and there is no greater example of this than the prison industrial complex. When the financial interests of slave owners and businesses were threatened at the end of slavery, mass incarceration was utilized to keep them afloat. Decades later, the situation is no different. The private prison company CCA sits at the top of the industry, allying with state governments and ALEC to remain funded and legally in control. ALEC assists any kind of business that wants an advantage in Washington to make their lives easier, and the country’s definition of what is right and wrong gets more and more distorted. ALEC bills forever changed federal law, essentially a model for state and local laws, which means they also change the standard on every level of government. Private prisons remained populated through the large-scale arrests of people of color, too many of whom were innocent, couldn’t afford bail, mentally ill, or had their constitutional rights violated by police or the law itself. While not directly stated as part of their origins, history shows us that race relations in America have allowed the prison industrial complex to form, succeed, and thrive on the imaginary fears of the societally advantaged.

Works Cited

13TH. Dir. DuVernay, Ava. Netflix, 7 Oct. 2016. www.netflix.com/

Bragg, Rick. “Chain Gangs to Return To Roads of Alabama.” The New York Times, The New York Times, 26 Mar. 1995, www.nytimes.com/1995/03/26/us/chain-gangs-to-return-to-roads-of-alabama.html.

Browne, Jaron. “Rooted in Slavery: Prison Labor Exploitation.” An Environmental Justice Strategy for Urban Transportation | Reimagine!, RP&E, www.reimaginerpe.org/node/856.

CCA, www.correctionscorp.com/social-responsibility.

Lind, Dara. “Bill Clinton Keeps Apologizing for His 1994 Crime Bill. But He Still Doesn’t Get Why It Was so Bad.” Vox, Vox, 15 July 2015, www.vox.com/2015/5/7/8565345/1994-crime-bill.

McCabe, David. “Bill Clinton Renounces His 1994 Crime Bill.” TheHill, The Hill, 6 May 2015, thehill.com/blogs/blog-briefing-room/news/241247-bill-clinton-renounces-his-1994-crime-bill.

“United States of America 1789 (Rev. 1992).” Constitute Project, www.constituteproject.org/constitution/United_States_of_America_1992.

Whitehead, John W. “Jailing Americans for Profit: The Rise of the Prison Industrial Complex.” The Huffington Post, TheHuffingtonPost.com, 10 June 2012, http://www.huffingtonpost.com/john-w-whitehead/prison-privatization_b_1414467.html.

Meet Our Colleague: Leslie Doyle

By Christa Verem

For our first faculty profile this semester, we’re featuring Leslie Doyle, winner of the CHSS Dean’s Excellence in Teaching Award, 2019. Leslie has been part of our team for a bit. She’s a writer, new grandmother, and damn fine conversationalist.

How did you get started teaching?

I was 28 with two degrees in English, two small children, one spouse in school, and in need of a job. A local college advertised for adjuncts, and the rest is history. That was, ahem, over thirty years ago.

What do you appreciate about teaching?

What I most appreciate is the people I get to work with every day—students and colleagues—who challenge me to think, and challenge what I think. MSU students are consistently smart, curious, and knowledgeable. I learn a lot from the things they decide to write about. They’re funny, too! And all of that is true of my colleagues. I am lucky to work in such a supportive environment, with people who are always sharing new ideas and approaches.

What do you find challenging about teaching?

Two things—first, I struggle to control the amount of time and effort that it takes to adequately respond to drafts and other writing; though I read advice about how to cut down on commenting, I’ve never really been able to do so. That just may be my nature. And second, the necessity of being “on” every time I walk into the classroom. Teaching isn’t something one can phone in. If I don’t bring a certain amount of energy and intention, it makes for a dull class for me and for them.

What is your favorite unit to teach?

A couple years ago, I put together a version of Writing 106 based on environmental literature and issues. I’ve taught various versions of it since. I love watching students make connections between literature, real-world issues, and their own experiences, and put these together into some of the best student writing I’ve seen. I think it speaks to the idea that when people are invested personally in a topic, it’s easier to write about. And the environment is where we all live, what we’re literally immersed in. Not much is more important than that. 

How do you spend your summers?

Most of the time, I’m down at the other end of the state, near Cape May and the Delaware Bay. I get most of my own writing done in the summer. When not working on that (or preparing for upcoming fall classes), I love to kayak, bike, cook, swim, read, and spend time with family. It’s really my time to catch up with myself. 

What other intellectual, artistic or personal pursuits are you working on?

I write fiction and essays. I also love to take photos, and occasionally draw. And I’m totally dedicated to being the best grandmother possible to my baby granddaughter.

Quick Bits

What are you reading? Or what was the last great book that you read?

I just started reading The Overstory by Richard Powers. It’s long and dense, and I don’t know what I was thinking starting it at the start of the semester. But it’s a complex, fascinating book about our human relationship to trees, with compelling characters. I really look forward to seeing where it’s going. The Great Believers by Rebecca Makkai and Educated by Tara Westover are recent reads that have stayed with me. Both wonderful. Also, The Ministry of Truth: The Biography of George Orwell’s 1984 by Dorian Lynskey, was fascinating and, unfortunately, very applicable to our current situation, especially in emphasizing that in an era of “alternative facts,” objective truth exists, that 2+2 still = 4. 

Listening to?

Frank Turner, The Highwomen, The Regrettes, Jason Isbell, Lizzo. 

Watching?  

Mets games, when I can stomach it. (By the time this is posted, that may not be the case…who knows?) I’m also really into the MCU. 

What’s your ideal Saturday?

Long bike ride, kayak trip, or walk on the beach. Followed by time to read and write. Then dinner with my husband based on fresh food from the garden—maybe pesto or fresh tomato sauce. If my kids and granddaughter are visiting, even better.

Favorite local spot? 

A few23Skiddoo coffee shop in Bloomfield, Raymonds, Watchung Booksellers, Brookdale Park.

Favorite Jersey beach? 

Tie: Sandy Hook which is near where I grew up, and Cape May/Delaware Bay, which is where I spend as much time as possible nowadays.

Anything else you’d like to share? 

Wishing everyone a great Fall Semester!

Thanks Leslie! Have any thoughts or questions for our colleague? Post them below.

Unlimited Rewrite option (2019 version)

For well over a decade now, I have been utilizing an unlimited rewrite policy in my courses (FYW, but also other Writing, English, and Gender Studies).

I have discussed it with many people in our department down the years, wrote a blog post about it (see here) 6 years ago, and did a workshop on it last year. Since only a few people were at the workshop and I got some queries about it later, plus we are at the start of the new semester and academic year, I thought I’d do a new post about the policy, in case any of you find it helpful.

I’m mostly making use of the points that I used in the workshop, fleshed out with a few details. I’m also trying to keep this short and avoid rehashing too much of what I covered in the previous blog post, so I recommend checking that one out first. Continue reading

Syllabus/Semester Planning Material

Here is a collection of links that you might find handy while working on your syllabus and planning for the upcoming semester:

1 – A nifty little program which generates the dates that your class will be meeting this semester.

Syllabus Date Generator

2 – A website with ideas and suggestions for making your syllabus more accessible.

Accessible Syllabus

3 – A recent article from the Chronicle of Higher Education, with ideas for more inclusive course design and practices.

How to Make Your Teaching More Inclusive

4 – A short blog post about practicing social justice in the classroom.

Decolonize your classroom, syllabus, rules, and practices

Meet Our Colleague: Trina O’Gorman

By Christa Verem

It’s my pleasure to introduce Trina O’Gorman, whom I’ve had the the privilege of seeing in action both in the classroom and the pick-up line at our kids’ elementary school. In this profile, Trina shares her love of travel and a testament to the power of journaling.

 

Trina O'Gorman

How did you get started teaching?

Teaching was not my first career. My decision to teach came later in life. I returned to college in my early 30s to earn my MAT in Teaching Secondary English, a decision that had more to do with a desire to connect to and do something for others or generativity, rather than a desire to “teach English” or a love for a particular content area. I love people and the power of writing.

What do you appreciate about teaching?

I appreciate the opportunity to share my experiences with my students and to empower them by helping them understand the process of writing, which I think is largely about understanding their own thinking and values and the thinking and values of others. And I learn so much from my students. I think teaching is such an amazing opportunity to affect positive change, but also to honor our humanity. Continue reading

FYW Newsletter (April)

FYW Newsletter

Resources

FYW Sandbox Module: Lectures & Scholarly Resources–Critical lenses, Drafting, MLA & Fair Use

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Dates & Deadlines

The Major Launch Party is Wednesday, April 3, from 12 – 1 p.m.  in the College Writing Workshop (Schmitt 132)–send your students!

 

Dept. Meetings

  • April 3 @ 2:30 p.m./ Schmitt 104
  • May 1 @ 2:30 p.m./ Location TBA

Other

  • President’s Address to the University Community/ April 24 @ 3 p.m.  

Continue reading

Meet Our Colleague: Kathy Curto

By Christa Verem

Welcome to Deep Down in the Classroom’s newest feature Meet Our Colleague, where we showcase the teachers that inspire our students daily. For our inaugural profile we’re spending time with Kathy Curto, whose book Not for Nothing: Glimpses Into a Jersey Girlhood was published December, 2018. Read on to learn more about Kathy, her teaching beginnings, and how she finds time for her passions and the paper load.

Kathy Curto

How did you get started teaching?

I discovered teaching back in 2004 when my youngest child turned four, I re-entered the full-time, out-of-the-home workforce and took a job as a professor of sociology at a small college in Rockland County, New York. About six years into this job, I returned to grad school and earned the MFA so I could teach writing at the college level as well. (My first career out of college and grad school in the early 90s was social work. I was Program Director at a community- based organization in the South Bronx.) Continue reading